I want to start this recap with a little statement.
Mostly, that the people I write about in this recap are essentially characters, brought to life by producers and editors. I try to use people’s own words as much as possible, lest it all becomes my own interpretation, but I know that their narratives are created by those making the show. It means my perception is limited by what they choose to screen. I know I can get super-judgey, but it is intended against the ‘characters’ and the story the show is telling about them, and not the people. ‘The Edited Version of X Which We Are Being Shown’ is just a lot longer to type than ‘x’.
I say this, mostly because on Twitter I was judging Laurina’s behaviour at the end of this episode as ‘bratty’. The context that both the people on the show and to some extent production, certainly at the time and possibly right up until after the show last night, that was missing was that Laurina’s brother died a month before production. It casts her behaviour in a different light.
In addition, whilst I’m going to have a rant about Keira in any case, a conversation between Jarrod and Grant, and a subsequent conversation between Keira and Grant, seems to have been so heavily edited in such a way that it again robs people of vital context – including exactly what it was that Grant apparently quoted Keira as saying, e.g that Keira thinks Jarrod is a terrible kisser (a theory that I actually think is quite likely). Apart from ignoring actual relationships in favour of drama, the editing is not bringing any clarity of circumstance to viewers.
With all that said, this is the story of Paradise we were told last night…
Eden is celebrating the current post-ceremony cruisy vibes, and tells us that the good news is, ‘the men have the power’. This has never been good news in the entirety of human civilisation, Eden.
The show starts telling the story of The Magical Disappearing Laurina, aka She’s Having A Nice Holiday And We Are Not Happy About It. I think to some extent the show is trying to draw parallels with Brett, who was very much here to have a chill in Fiji with his girlfriend. Once again, context, she was grieving and needed time out and a gentle reminder that dealing with Blake would be an excellent cause to go off men permanently. Jared would like to get to know but can’t seem to actually find her. She’s probably not interested then, mate.
There is so much more Jarrod and Keira nonsense in this episode than anyone could ever want or need. And I think I deeply just need to accept the editing shenanigans here, but the long story as short as possible seems to be that she gave him a rose not because she wants him for herself, but that she wants him to find love. She has told him this, and he feels ready to ‘mingle’ on that account. But every time he makes an effort to actually mingle, Keira gets annoyed and jealous. There is some serious wanting her cake and eating it too vibes. It’s annoying and hypocritical and I just want them to sort themselves the fuck out, preferably with at least one of them going home.
The girls are having a chat and Tara asks Leah if she’s been making good choices. No she has not…’Have you pashed and someone’s dashed again?’. Oh dear, Leah really is a little bit unlucky. Not that I think she’s a particularly kind and lovely person, but apparently she tried to pash Michael after a few wines post rose ceremony and he wasn’t having it. And indeed, Michael is here to tell us he feels no romantic connection to anybody and he’s just waiting for his girl to walk in.
Which brings us to Elora! I wasn’t really a fan of Elora on Matty’s season, but I am kind of excited on Megan’s account. Elora is currently our only option for saving her from the clutches of Jake….according to the promos, at least. Elora comes in with a date card and Tara tells her she has to ‘go on chatty-chats with the boys’, determined that they not tell her off the bat who’s in relationships….mostly to give Sam the chance to decline her. Elora first approaches Luke (who tells her he’s solid with Lisa), and Jake, who lets her know he’s close to Megan and wishes her luck on her future dating endeavours. Elora then approaches Megan and the entire island flips shit at the idea that Elora might be asking her out
Keira: ‘Taking a girl on a date???’
Jarrod: ‘I hope that’s what I think it is’.
Settle down, perve.
All the fuss was enough for me to know she wasn’t going to. Megan is a bit further behind, getting her hopes up, but Elora is just getting permission to approach Jake again. Elora made fun of his ‘sexy squint’, so I’m not sure why she’s pursuing this one so hard. Laurina tells Jake: ‘Megan’s face doesn’t look impressed, but that’s just her usual face…’ Well if people would stop being so deeply unimpressive…
So Elora pulls Jake aside, and tells him to really only go for it if he’s open to meeting new people, but yep she would really like to take him on this date. He is flattered and thinks it would be fun, but ultimately lets her down. When he returns, Megan is pleased. She thinking it’s a big turning point in their relationship, and hopefully it’s the turning point where she dumps him because a better option is there. Hey, one can hope.
Elora sets off the flames on the side of Leah’s face by eventually approaching Michael, who she will go on the date with. Leah thinks Michael can’t even see what’s standing in front of him! Okay, Leah, he has seen you. He’s not in to it. I thought he wasn’t rugged enough for you, anyway?
Elora and Michael are off to do some glass blowing! I thought Michael was just being a ridiculous person when he referred to is as kinky and sensual, and then I heard the instructor telling him ‘Blow blow blow, go for it, harder ….and stop’ and I maybe changed my mind. The show plays some very subtle saxophone music over this entire scene.
Leah is ‘exhausted from chasing Michael around….next, moving on’ and Nina points out that she is pretty low on options, at this point. Guess who’s completely unloved by the Aussie girls, though? Thunderbirds are go! Leah wants us to know that she finds him ‘genuine and lovely’, which arguably means he is a terrible match for Leah.
Oh god, it’s back to Jarrod and Keira. Jarrod is creepily noting Keira’s nude-coloured top when in walks Simone. Simone got caught up in the Great Matty-J Slut-Shaming Scandal with Leah, a fucking low point for this entire series. She’s blonde, if you recall, which means she has Jarrod’s immediate attention, describing her as ‘a blonde bombshell in a little red number’. He mentions to Keira that Simone reminds him of his ex-girlfriend, and yeah…you could probably say the guy has a type, right?
It’s like a peroxide-heavy game of spot-the-difference.
Keira is happy to rant about how it would be ‘downgrading’, but she clearly feels threatened knowing the guys have the roses this week
Leah has a chat with Simone and starts selling Jarrod: ‘He’s so, so funny’ (is he???). Simone had presumed he was with Keira, which Leah shoots down. This chat has lasted approximately five seconds when Jarrod The Keen Bean screams across the courtyard: ‘Leah, are you going to share Simone around or are you going to keep her all day?’. Settle down petal. Funnily enough, this buys him some time with Simone, which she mostly spends laughing nervously and experiencing genuine confusion about the term ‘vineyard’. Jarrod’s feeling like a prince what with his vast knowledge of that place wot where grapes are grown. He tries to explain the thing with Keira, which Simone describes summarily: an absolute mess.
Just to really rub this in, Keira is off questioning how genuine Jarrod’s feelings were in the first place, because he’s off talking to Simone. This is what you wanted him to do.
Michael and Elora sit down to have a very dull conversation that mostly serves to remind me how pretentious she is. ‘I do much more things than other people’ she says, and she’s really easygoing. She boasts about her wanderlust some more. I just find it so hard to believe that someone who’s so self-consciously easygoing actually is easygoing. Accurately, Michael isn’t really feeling the chemistry, because there is none, but he would like to hang out some more. When he returns, he greets Ali, Grant, Luke and Lisa with a ‘What’s up, couples retreat’ and lets them know that she’s a ‘top bird’ but not for him.
Leah aggressively does not care because she’s over here talking to Jared, thanks. She tells him that he seems to be there find love and he says ‘he’s here for the experience and to hopefully form a connection’, which I think we can all agree is a very different thing
Leah: ‘I think you and I connect’
Leah: ‘You’re cool, this could be fun’
Tell Ali to call off the search, I’ve found her sparks.
There’s a bit more negging of Laurina’s solo time here that I don’t care to recap, although it does feature an amazing dance routine from Tara, Keira and Laurina.
Now it’s time for the ridiculously heavily-edited conversation between Grant, Ali, and Jarrod (with Jared hanging off the side, presumably to escape his overwhelming chemistry with Leah)
Grants asks who Jarrod will give his rose to, and Jarrod feels like Keira is already jumping down his throat for talking to Simone. Grant decides to give it to him ‘straight’: ‘as sweet as she is, she’s wishy-washy. She doesn’t know what she wants…don’t string someone along just because you wanna stay here, you know?’, the most gentle straight-talking I’ve ever seen. Jarrod seems blinded by his honesty, and has maybe finally acknowledged he is being taken advantage of, which he probably is.
Keira is watching this happening and getting antsy. She says she is in Grant’s ‘bad books’ which is why she wants to know what is happening. If you check the link near the start Keira has essentially said that after the last rose ceremony, Grant cornered her and abused her for sending Daniel home, which is a very bad look for Grant, because Grant was a fucking sex pest (and it turns out the girls basically agreed to send him home on account of sex-pestiness). In addition, apparently he passed on a comment that Keira thinks Jarrod is a bad kisser. So while she’s being paranoid, perhaps there’s reason for it. She pulls Jarrod aside, and he won’t tell her what they were discussing. Keira is determined to get to the bottom of it, and wheedles him. He quite reasonably says he’ll discuss it when he’s ready to talk about it, and he wants to sleep on it. She is very drunk, and tells him she doesn’t need to know what was said, just what it was about. Yeah, alright.
In any case, she decides:
‘I need to go talk to someone’
Jarrod: ‘Don’t talk to them about it’
Keira: ‘I will’
Cue the deepest sigh ever.
She very obnoxiously grabs Ali and Grant, and their whole conversation is a mess, much as she is. We’re never actually allowed to know for sure what it is that Grant said he was essentially quoting Keira on (we now have her word for it), but her main point of offense seems to be less about Grant warning Jarrod off Keira, than Grant assuming he can speak for her and her thoughts. Then again, ‘You think he’s a safe bet. And you feel like he’s Mr Right, but I don’t know if you want Mr Right. You might be in between Mr Right and Mr Right Now’ does not seem particularly flattering.
Keira goes on a drunken rampage, screaming at him and threatening to throw her drink at him. That one’s not editing, love. She tells us ‘When I feel slightened or hurt, it just doesn’t sit well with me. I’m very reactive’. She’s very good at mangling the English language, our Keira.
Probably the worst part is Jarrod’s weird, patronising reaction where he accuses her of ‘chucking a tanty’ but finding this cute and adorable rather than a sign of someone whose drinks should probably be watered down. Anyway. He’s still hanging on that thread, it seems.
We’re now on Laurina chilling out with her under-eye mask when Megan runs in with a date card. I should emphasise it is dark and at the very least, Keira is drunk so it’s probably not very early. Megan screams that Laurina has the date card, and has ten minutes to get ready. ‘Nah, I’m not going’. Look, you can see here that without the knowledge of what’s going on with her, forcing her to spend some time with someone is not a bad idea from production because it looks suspiciously like she’s using the show for a holiday, but it is the date equivalent of a ‘u up’ text at 1am when you’re in your jammies. Sam’s reaction that this ‘is a dating show, not a sleeping show’ seemed okay in context, and he really didn’t know, but an apology probably wouldn’t go astray now (nor would it go astray to comparing her to a 300-year-old demon, either). No-one comes off particularly well from the ensuing scenes – production seems insensitive, the others seems a little mean, and Laurina comes off as a bit disingenuous with her excuses – when the context is added in.
In the end, Laurina gets weepy and accuses production of being disrespectful, before deciding to leave. I think everyone can agree it’s for the best. Apparently she’s in love now, and I bet he doesn’t even where stupid braids in his hair.
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